The Great Pandemic Book Launch and Frolic; otherwise known as the Marvelous, the Mystical, the Fantastical Saint Patrick's Day Book Party for Marly Youmans's Charis in the World of Wonders

Ethereal Reception to Follow

Place: In your airy, wondrous imagination

Book release date: 17 March 2020 St. Patrick's Day

Time: 12:01 a.m. - 11:59 p.m.

Book Party Saint: Patrick, naturellement!

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available at indies and online outlets
Amazon and bn.com

Lavishly illuminated
by the artful hand
of Clive Hicks-Jenkins
of Wales

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Praise for 
Charis in the World of Wonders

“Charis in the World of Wonders confirms once more Marly Youmans' place among the magi. There is indeed ‘a dark and amazing intricacy in the ways of Providence’, as this spellbinding novel attests.”

—John Wilson, Contributing Editor, Englewood Review of Books

“Charis is a prismatic grace journey that awakens our dulled senses and ignites our adventurous hearts. A seventeenth-century girl pilgrim, with dark shadows of Salem foreboding over her, begins a refractive journey as a faithful exile toward a golden sea.”

—Makoto Fujimura, Artist; Author of Culture Care and Silence and Beauty

“Imagine if William Faulkner had decided to rewrite Last of the Mohicans. What you would have is something like Charis in the World of Wonders—a wild adventure tale written with grace and insight.  Youmans' prose is fluid, sharply witty, and deeply rich in symbolism—the work of a master.”

—J. Augustine Wetta, OSB, Author of The Eighth Arrow and Humility Rules

“Youmans’ magnificent storyteller brings the early days of Europeans on the American continent vividly to life, in all their wonder and sorrow.”

—Emily Barton, Author of Brookland and The Book of Esther

“From the pen of an award-winning novelist and poet comes the story of Charis, a girl who loses everything and finds love and acceptance in an age of fear and uncertainty. This book is that rare thing, a novel containing characters who are both historically accurate and completely relatable.”

—Fiorella De Maria, Author of A Most Dangerous Innocence and The Sleeping Witness

A writer I greatly admire and have sometimes written about, Marly Youmans, has a new book coming late in March from Ignatius Press: Charis in the World of Wonders, with cover art and illustrations by the incomparable Clive Hicks-Jenkins. This novel, set in the Massachusetts Bay Colony, should occasion a piece that tackles the whole sweep of Youmans’s work. She’s not part of any fashionable faction, and much as I would be delighted and surprised to see it receive generous attention in the New York Times Book Review and other such outlets, I am mainly hoping that First Things, Commonweal, Image, and other kindred publications will not let this opportunity pass.  

—John Wilson, "Desiderata," First Things 

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Praise: 
from writers and artists on social media

James Artimus Owen, writer and artist: This book, written by my dear friend Marly and illuminated by one of my great inspirations, my friend Clive, is a great example of What Truly Matters in the world. What keeps me going in a world of seemingly ever increasing darkness? Shining lights. Just like this.

Makoto Fujimura, nihongan painter, cultural catalyst, writer: Ok. Cannot help to tweet. “Charis”, Marly’s next novel coming out, is one of the most beautifully wrought writings of the “burning bushes” all about us that I’ve encountered in recent times.  Absolutely mesmerizing novel. #kintsuginovel #culturecare

John Wilson, editor: Every writer is in a sense sui generis, but some to a greater degree than others--@marlyyoumans, for instance. 

Makoto Fujimura: What a stunning, beautiful story Charis is. I can’t stop thinking of it. Hortus continues to roam in my mind, bringing all of us to freedom.

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Charis

“When I swung over that windowsill, everything changed for me. We are meant to go in and out of doors in civilized style, but my mother bade me climb into woodsy wildness and a darkness flushed with crimson light and torches…” 

Clambering into the branches of a tree, a young woman flees flaming arrows and massacre. She will need to struggle for survival: to scour the wilderness for shelter, to strive and seek for a new family and a setting where she can belong. Her unmarked way is costly, heroic, hard.

For Charis, the world outside the window of home is a maze of hazards. And even if she survives the wilds, it is no small, simple matter to discover and nest among her own kind—the godly, those called Puritans by others. She may be tugged by her desires for companionship, may even stumble into a sharp, intense love for a man, and may be made to try the strength of female heroism in ways no longer familiar to women in our century. 

Streams of darkness run through the seventeenth-century villages of the Massachusetts Bay Colony. Occult fears have a way of creeping into the mind. And what young woman can be safe from the dangers of wilderness when its shadowy thickets spring up so easily in the soil of human hearts?

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A note from the illuminator:

Marly Youmans' historic novel 'Charis in the World of Wonders' chronicles the journey of its protagonist on her horseback flight from destruction to sanctuary and from sanctuary to an unexpected madness that had me gnawing my knuckles as I read.

Marly is a peerless writer and at Ignatius she has an editor and team doing everything to ensure that the book's jacket and the illustrations within do justice to her illuminating narrative. Not for the first time with Marly I'm steeped in a world of early American folk art, of embroidered samplers and nature not yet crowded out by man. At its heart, Charis on her courageous Hortus, who must carry her to safety and a new life. The image here is just a tiny corner of the cover artwork. It has been, as it always is in the company of Marly, a revelatory journey.

--Clive Hicks Jenkins, pilfered from facebook

Sally Thomas, Motherland

Motherland

Sally Thomas

Able Muse Press 

Paperback / softback

ISBN: 978-1-77349-043-4

Digital Formats: Amazon Kindle | Barnes & Noble NOOK 

| KOBO | Google Play / Android | Apple iBooks

Publication Date: May 29, 2020

Page Count: 126 Pages

Publisher's Note: 

In Sally Thomas’s Motherland, the poet keenly observes the ephemeral and the everlasting in the lens of time—the daily into seasonal transformations, the gifts and wonders of nature and people. Motherland by turns hails and interrogates in matters of flesh, of faith and spirituality—especially so in the “Richeldis of Walsingham” poem sequence. This finalist in the Able Muse Book Award is a collection abounding in insight, hope, grace, surprises, and yes, love.

Praise for Motherland: 

A core of spiritual knowledge resides in the poems of Sally Thomas’s Motherland— knowledge that might seem strange to the poet herself, in fact, though it definitely resides in her, and radiates throughout this collection. Motherland is the perfect title, since the poet, herself a mother, regards all her human occupations as native and yet mysterious, occurring in a place which is both foreign and familiar.  The final sequence, on Richeldis of Walsingham, includes lines that describe the expression of that knowledge, as “the eloquence/ Of the small river moving always forward to the unseen/ Sea.” Motherland is a book of the presence—radiant, benevolent, challenging—for which there is often no word, except as we find in poetry, like the poetry of Sally Thomas.” —Mark Jarman, author of The Heronry

The poems of Sally Thomas are poems in which the act of looking at the world in all its depth and complexity is just about as close as possible to being fully realized in the corresponding “world” of poetic language and form. And the verses are compelling because in every line something is at stake: our very understanding of creation, the human condition, and the mystery of thought and its language that link us, however imperfectly, to what may be called the given world. As Thomas says in “Frost,” “Tricky winter light and my own eye/ Bend the world, if not to beauty, then/ To strangeness.”

  —David Middleton (from the foreword), author of The Fiddler of Driskill Hill

In her most recent collection of poems, Motherland, Sally Thomas gives us a world we live in but, alas, too often don’t seem to see. So much is lost, these poems tell us, even as they manage to reinstate and re-imagine these losses for us. All poetry is elegiac, even as it can, in the hands of a serious poet, celebrate the very world which for all of us keeps slipping away in the great wheel of time. Then too there is her mastery of poetic form—among these the sonnet, the villanelle, the couplet, and her unparalleled command of rhyme and slant rhyme. What a delight to discover a poet who has found a way to allow the sacred and the sacramental inform her poems in a surprising range of contemporary idioms.

  —Paul Mariani, author of Epitaphs for the Journey

Three poems